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Sean Douglas, Michael Keaton's Son, on Writing for Madonna & Downplaying His Family Ties






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"My best friend is kind, intelligent, funny, talented, considerate, thoughtful… Did I say kind?" Michael Keaton asked during his Golden Globes speech on Sunday night (Jan. 13), fighting back tears while accepting the Best Actor in a Motion Picture Comedy or Musical award for his comeback role in Birdman. While many in the audience and millions at home tried to decipher who Keaton was talking about, the 63-year-old star clarified: "He also happens to be my son, Sean. I love you with all my heart, buddy."




The speech was one of the ceremony's most heartfelt moments, and has since gone viral, accruing 100,000 views on YouTube in a little over 24 hours. Meanwhile, a quick Google search of Keaton's son Sean Douglas -- who the camera cut to during Keaton's tribute -- put two and two together for a lot of pop culture junkies: Douglas is actually a successful pop songwriter, with credits on Top 40 hits like Jason Derulo's "Talk Dirty," Demi Lovato's "Heart Attack" and Fifth Harmony's "Sledgehammer," among many others. Because of his last name (Keaton was born Michael Douglas and changed his surname early in his career), few were aware that Douglas had a famous father before Sunday night; the revelation inspired lots of #MindBlown Twitter hashtags and profiles on Douglas from Buzzfeed, ABC News and the New York Daily News.


"I don't go out of my way to not talk about it, but I maybe downplay it a bit," Douglas told Billboard on Monday. "That's sort of the way I was raised, to keep things separate, I guess. [The attention] is mostly fun, because I'm just so happy for my dad. It's a lot of friends and family reaching out and saying it was a great night, and everyone's so proud of him. It's funny that I'm even in the conversation -- it's not my award!"



On the phone from Los Angeles, Douglas comes off as exceedingly humble (one of the few adjectives his father did not use to describe him on Sunday night), and it's clear that many in the industry are just as surprised at the 31-year-old's family ties as the general population is.


"I knew Sean for a while and we'd work together a couple times a week, and I didn't know," says Aton Ben-Horin, the director of global A&R at Warner Music Group, who worked closely with Douglas on Derulo's smash "Talk Dirty." "I found out through somebody else, six months after meeting him. He's very low-key about it."




While his father stayed busy starring in big-budget flicks, Douglas played in bands in high school and at Washington University in St. Louis, often serving as his various groups' principal songwriter. One of his bands started attracting major label attention, and while a deal was slowly being finalized, he asked the group's manager if he could try his hand at co-writing for other artists during the downtime.


"I did a couple sessions like that and it just clicked," Douglas recalls. "I realized I could write all these different genres. One of the problems I had in the band was that one morning I'd wake up and want to write a country song -- another morning, I'd want to write a rock song. I realized that I can do something different everyday. And writing for Demi [Lovato] or Jason [Derulo] is like having the greatest megaphone in the world -- you say an idea into it, and it comes out as the perfect performance on the other end."


Douglas signed a publishing deal with Warner/Chappell in early 2012, and started scooping up opportunity in the mainstream pop world. "Heart Attack" was his first Top 10 hit as a songwriter, to be followed by "Talk Dirty," Derulo's "Wiggle" and work with artists like the Backstreet Boys and Hilary Duff. Douglas spent part of last summer in Ibiza with David Guetta, living in the superstar producer's house and working on tracks for his recent album, Listen.


"He's very versatile," says Ben-Horin of Douglas. "It's rare you find a writer that brings multiple elements -- he plays piano, he plays the guitar, and could produce if he wants to. He does great vocal melodies, great lyrics, and to top it off, he's got an amazing energy that he brings to sessions."




The recent high-water achievement for Douglas was working on "Ghosttown," one of the songs featured on Madonna's upcoming Rebel Heart studio album. The songwriter says that the song, which was released along with five other Madonna tracks following a demo leak last month, was written in three days after Madonna personally requested some studio time.


"She liked 'Talk Dirty,' actually, and so they put me and [co-writers] Jason Evigan and Evan Bogart in with her and we had this great session," says Douglas. "I was incredibly nervous for obvious reasons, but she showed up, was super personable and was ready to work. I basically checked it off my life bucket list."




Douglas says that Keaton and his mother, the late actress Caroline McWilliams, never pressured him into following in their Hollywood footsteps. "I think they saw how hard acting and entertainment can be, so they said "You can be anything you want.' And of course, I go and pick the one industry less stable than theirs," says Douglas with a laugh.


However, Douglas says that he and his father deeply appreciate each other's artistic works and constantly support each other's professional accomplishments. As Keaton continues an impressive awards season run -- an Academy Award nomination for his Birdman turn will likely come on Thursday (Jan. 15) -- Douglas is enjoying a career peak of his own, with more writing projects in the works for artists like Derulo.


"I'll be talking to my dad and he'll say 'How it's going?' And I'll go, 'Hey dad, I got this new song coming out. It's gonna be a big single!' He'll say, 'Oh great, what's it called?' I go, 'Uhhh, it's called "Wiggle"!'" says Douglas. "It's just a funny conversation to have with your parent. But he's always been incredibly supportive, and he's just thrilled that it's working out. I possibly am more excited than he is about the Golden Globe, and he's probably more excited about me having a hit or two than I am."

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Awww what a lovely story. Thanks for posting .

( and from Talk Dirty To Me to Ghosttown ??? :dramatic: )

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Derulo''s song sounds quite reductive next to Ghosttown but I think like 99,99 of the present-day songs do, so... There is certain rhythm and musicality that's similar or am I reaching?

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He sounds like a lovely guy. Notice how professionals in the recording studio always talk about how personable and professional Madonna is. All of them admire her talent, professionalism, work ethic and demeanour. She is a class act.

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Yet more evidence of Madonna's active involvement in the creation of her music :thumbsup:

Yep. Madonna's influence in this song is quite apparent. Even if she didn't write it from scratch, it has her fingerprints all over it.

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Yep. Madonna's influence in this song is quite apparent. Even if she didn't write it from scratch, it has her fingerprints all over it.

The interview implies that it has more than just her fingerprints on it, though - something like GGW has her fingerprints on it, whereas from what Sean says, they spent three days actually writing the track. None of her co-writers had anything to do with the production of the track, so Sean's comments imply that they spent that time writing it.

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The interview implies that it has more than just her fingerprints on it, though - something like GGW has her fingerprints on it, whereas from what Sean says, they spent three days actually writing the track. None of her co-writers had anything to do with the production of the track, so Sean's comments imply that they spent that time writing it.

True.

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Yes- I recall reading that she was collaborating with someone who worked on "Talk Dirty" and being concerned- well, those concerns were flushed when I heard "Ghosttown."

Did his wife also work with Madonna? On one of the entertainment shows, the host said as much.

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Proof of Madonna’s talent & skill as a songwriter/producer is to look at the output of some of her most notable collaborators: Patrick Leonard, Shep Pettibone, William Orbit, Mirwais & Stuart Price. None of them has produced anything of significance apart from their work with Madonna. I mean, really, why is that? They’ve worked both on their own and with other artists but where is their Like A Prayer or Live to Tell or Vogue or Frozen or Music or Hung Up? What classics have they produced without her? After 30 years, the critics, the general public and unfortunately some of her fans still tend to minimize Madonna’s contribution. I guess she will never really get the true recognition she deserves in her lifetime. Funny that being the most successful & iconic pop artist of all time, she's also the most underrated.

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Proof of Madonna’s talent & skill as a songwriter/producer is to look at the output of some of her most notable collaborators: Patrick Leonard, Shep Pettibone, William Orbit, Mirwais & Stuart Price. None of them has produced anything of significance apart from their work with Madonna. I mean, really, why is that? They’ve worked both on their own and with other artists but where is their Like A Prayer or Live to Tell or Vogue or Frozen or Music or Hung Up? What classics have they produced without her? After 30 years, the critics, the general public and unfortunately some of her fans still tend to minimize Madonna’s contribution. I guess she will never really get the true recognition she deserves in her lifetime. Funny that being the most successful & iconic pop artist of all time, she's also the most underrated.

So true Lori. Why Madonna is doubted so often as a gifted song-writer and musical talent by her own fans never ceases to amaze me.

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Proof of Madonna’s talent & skill as a songwriter/producer is to look at the output of some of her most notable collaborators: Patrick Leonard, Shep Pettibone, William Orbit, Mirwais & Stuart Price. None of them has produced anything of significance apart from their work with Madonna. I mean, really, why is that? They’ve worked both on their own and with other artists but where is their Like A Prayer or Live to Tell or Vogue or Frozen or Music or Hung Up? What classics have they produced without her? After 30 years, the critics, the general public and unfortunately some of her fans still tend to minimize Madonna’s contribution. I guess she will never really get the true recognition she deserves in her lifetime. Funny that being the most successful & iconic pop artist of all time, she's also the most underrated.

Brilliant post :clap: :clap:

Luckily the majority of fans or critics aren't that short-sighted

I think part of the media and a portion of the GP subconsciously "can't forgive her" for being such an incredible media masterminder and gifted with an astonishing business acumen on top of everything that you wrote. So many times "the publicity/scandals part" ends up completely overshadowing the fact that musically speaking she does have one of the most outstanding bodies of work EVER. A fact that most music critics cannot and won't deny at the risk of coming off as clumsy and out of touch.

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The interview implies that it has more than just her fingerprints on it, though - something like GGW has her fingerprints on it, whereas from what Sean says, they spent three days actually writing the track. None of her co-writers had anything to do with the production of the track, so Sean's comments imply that they spent that time writing it.

Proof of Madonna’s talent & skill as a songwriter/producer is to look at the output of some of her most notable collaborators: Patrick Leonard, Shep Pettibone, William Orbit, Mirwais & Stuart Price. None of them has produced anything of significance apart from their work with Madonna. I mean, really, why is that? They’ve worked both on their own and with other artists but where is their Like A Prayer or Live to Tell or Vogue or Frozen or Music or Hung Up? What classics have they produced without her? After 30 years, the critics, the general public and unfortunately some of her fans still tend to minimize Madonna’s contribution. I guess she will never really get the true recognition she deserves in her lifetime. Funny that being the most successful & iconic pop artist of all time, she's also the most underrated.

Brilliant post :clap: :clap:

Luckily the majority of fans or critics aren't that short-sighted

I think part of the media and a portion of the GP subconsciously "can't forgive her" for being such an incredible media masterminder and gifted with an astonishing business acumen on top of everything that you wrote. So many times "the publicity/scandals part" ends up completely overshadowing the fact that musically speaking she does have one of the most outstanding bodies of work EVER. A fact that most music critics cannot and won't deny at the risk of coming off as clumsy and out of touch.

:thumbsup::thumbsup::clap::clap:

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Proof of Madonna’s talent & skill as a songwriter/producer is to look at the output of some of her most notable collaborators: Patrick Leonard, Shep Pettibone, William Orbit, Mirwais & Stuart Price. None of them has produced anything of significance apart from their work with Madonna. I mean, really, why is that? They’ve worked both on their own and with other artists but where is their Like A Prayer or Live to Tell or Vogue or Frozen or Music or Hung Up? What classics have they produced without her? After 30 years, the critics, the general public and unfortunately some of her fans still tend to minimize Madonna’s contribution. I guess she will never really get the true recognition she deserves in her lifetime. Funny that being the most successful & iconic pop artist of all time, she's also the most underrated.

EXACTLY. I also hate when people say that she became a star just because of controversy and gimmicks. People don't buy your records and go to your concerts for three straight decades just because you're controversial. Those people usually disappear. Madonna brings the goods though. She has made some amazing music and gives us great performances, and THAT is the reason why she is still here.

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People don't buy your records and go to your concerts for three straight decades just because you're controversial.

This

And splashing out hundreds of dollars on it

30 years indeed

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I really love it when ppl who have worked with Madonna talk about her and say how hard working, hands on, involved and how she is not a diva with crazy demands.

I really believe that she is just a regular down to earth person like us who just so happens to be the queen of pop.

thx for sharing the article.

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:kiss2: :kiss2: :kiss2::thumbsup: :thumbsup: :thumbsup: I love ur post lori. Very well put.

im sure that every one here on this forum can agree with u that Madonna is definitely the driving force behind everything she puts artistically.

I wonder if she will ever just put out a record with no collaborators?

I think that she should. :kiss2: :kiss2: :kiss2:

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If he wrote talk dirty I would never have imagined and that he could even lend a hand in writing ghost town. He did a great job

Cute guy too

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Queen Lori, telling it like it is!

You'd think idiots would realize that basically EVERY producer and writer who has ever collaborated with her sings her praises.

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Proof of Madonna’s talent & skill as a songwriter/producer is to look at the output of some of her most notable collaborators: Patrick Leonard, Shep Pettibone, William Orbit, Mirwais & Stuart Price. None of them has produced anything of significance apart from their work with Madonna. I mean, really, why is that? They’ve worked both on their own and with other artists but where is their Like A Prayer or Live to Tell or Vogue or Frozen or Music or Hung Up? What classics have they produced without her? After 30 years, the critics, the general public and unfortunately some of her fans still tend to minimize Madonna’s contribution. I guess she will never really get the true recognition she deserves in her lifetime. Funny that being the most successful & iconic pop artist of all time, she's also the most underrated.

Best. Post. Ever.

Brilliant post :clap: :clap:

Luckily the majority of fans or critics aren't that short-sighted

I think part of the media and a portion of the GP subconsciously "can't forgive her" for being such an incredible media masterminder and gifted with an astonishing business acumen on top of everything that you wrote. So many times "the publicity/scandals part" ends up completely overshadowing the fact that musically speaking she does have one of the most outstanding bodies of work EVER. A fact that most music critics cannot and won't deny at the risk of coming off as clumsy and out of touch.

Second. Best. Post. Ever.

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Proof of Madonna’s talent & skill as a songwriter/producer is to look at the output of some of her most notable collaborators: Patrick Leonard, Shep Pettibone, William Orbit, Mirwais & Stuart Price. None of them has produced anything of significance apart from their work with Madonna. I mean, really, why is that? They’ve worked both on their own and with other artists but where is their Like A Prayer or Live to Tell or Vogue or Frozen or Music or Hung Up? What classics have they produced without her? After 30 years, the critics, the general public and unfortunately some of her fans still tend to minimize Madonna’s contribution. I guess she will never really get the true recognition she deserves in her lifetime. Funny that being the most successful & iconic pop artist of all time, she's also the most underrated.

:bow:

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Proof of Madonna’s talent & skill as a songwriter/producer is to look at the output of some of her most notable collaborators: Patrick Leonard, Shep Pettibone, William Orbit, Mirwais & Stuart Price. None of them has produced anything of significance apart from their work with Madonna. I mean, really, why is that? They’ve worked both on their own and with other artists but where is their Like A Prayer or Live to Tell or Vogue or Frozen or Music or Hung Up? What classics have they produced without her? After 30 years, the critics, the general public and unfortunately some of her fans still tend to minimize Madonna’s contribution. I guess she will never really get the true recognition she deserves in her lifetime. Funny that being the most successful & iconic pop artist of all time, she's also the most underrated.

So so true. It's ridiculous how underrated her contributions are, especially by some 'fans'

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