Kilt Posted June 11, 2014 Share Posted June 11, 2014 Funny how Daft Punk released Around The World in 1997 but it became a hit in the 2000's after Madonna already released Music ( (which again had a retro/ futuristic sound and vocodors) EAT IT! http://en.wikipedia.org/wiki/Around_the_World_(Daft_Punk_song) Link to comment Share on other sites More sharing options...
Guest Rachelle of London Posted June 11, 2014 Share Posted June 11, 2014 I always heard of Daft Punk. Here in the UK they've been famous for years. I don't think they owe Madonna or Mirwais anything. They're stars in their own rifhts Link to comment Share on other sites More sharing options...
MerGirl Posted June 11, 2014 Share Posted June 11, 2014 Daft Punk got really famous with "Da Funk" in 1995, it became a huge hit that year, and they also had a huge hit with their single "Around The World" from the same album. Long before Madonna worked with Mirwais. Either way, Daft Punk and Mirwais' music doesn't really sound the same. Mirwais has been active since the early 80's, but he wasn't exactly a household name. Link to comment Share on other sites More sharing options...
ryan Posted June 11, 2014 Share Posted June 11, 2014 Why are we discussing daft punks success? Where are the album rumors? Link to comment Share on other sites More sharing options...
rocknrolla Posted June 11, 2014 Share Posted June 11, 2014 I remember the Music album being compared to daft punk before I had even heard of them. Link to comment Share on other sites More sharing options...
VogueMusic Posted June 12, 2014 Share Posted June 12, 2014 So many producers/writers.... sounds like a lot of diverse material to pick from.... Link to comment Share on other sites More sharing options...
pasqual Posted June 12, 2014 Share Posted June 12, 2014 to much people already Link to comment Share on other sites More sharing options...
Nightshade Posted June 12, 2014 Share Posted June 12, 2014 Have any of us mentioned or considered she might pull a JT and release a double album? Contract fulfilled, and then your and release her music independently thereafter? I only say this because there could be a lot of leftover tracks from the previous sessions earlier this year, or so it was stated by that producer/songwriter. Just a thought. Album 1 in fall, album 2 in spring. The double album idea has crossed my mind. She is collaborating with so many different people this time, and admits there are "so many good songs." I don't know if she'd release them separately, but it would be a new strategy for her and not a bad one. One album to take advantage of Q4 sales and another to hype the tour launch in the spring (assuming she starts it then). However, releasing them together would probably be a good bet for a platinum record in the U.S. (since they are counted as 2 sales for 1 if the total time meets RIAA requirements). I don't think Madonna cares that much about her certifications anymore though (and maybe never did). I've always wanted M to release an epic 2-disc set. Like the Smashing Pumpkins or NIN did in the 90's. I know we got Evita and Celebration, but one is a soundtrack and the other is her hits anthology. Link to comment Share on other sites More sharing options...
gemini1313 Posted June 12, 2014 Share Posted June 12, 2014 a double album release would be fucking awesome ! great idea ! guaranteed great sales. Link to comment Share on other sites More sharing options...
SkyHigh76 Posted June 12, 2014 Share Posted June 12, 2014 I like the idea of a 2-album set! That would be totally unexpected.It would be a really diverse album.Remember those early rumors about her wanting to make a ballads album? On a 2-album set,she would have plenty of room to include alot of ballads throughout. One of the albums could be the 'commercial' one while the other album could feature darker,edgier sounds.The possibilities are endless. Link to comment Share on other sites More sharing options...
humanracin Posted June 12, 2014 Share Posted June 12, 2014 Double albums are always a bit tricky really, who sits down and listens to one that often? I would prefer 2 separate albums (if she has enough good songs!) released a few months apart. There was talk of an orchestral album a while ago, I'd love something like that. Link to comment Share on other sites More sharing options...
alen Posted June 12, 2014 Share Posted June 12, 2014 13 song with 13 producers (Avicii, Diplo, Pharrell W.?, S1?, Toby Gad?, Martin Kierszenbaum, Ariel Rechtshaid?, Nick Rowe?, G.Moroder?, Disclosure?, MoZella?, + ? + ? + ? Link to comment Share on other sites More sharing options...
karbatal Posted June 12, 2014 Share Posted June 12, 2014 She may be trying sounds and ideas. Link to comment Share on other sites More sharing options...
Glindathegood Posted June 12, 2014 Share Posted June 12, 2014 13 song with 13 producers (Avicii, Diplo, Pharrell W.?, S1?, Toby Gad?, Martin Kierszenbaum, Ariel Rechtshaid?, Nick Rowe?, G.Moroder?, Disclosure?, MoZella?, + ? + ? + ? Some of the producers and writers were together in the studio at the same time so they were working on the same songs together. Mozella, S1, Tony Gad, Martin and Ariel were there at the same time. Link to comment Share on other sites More sharing options...
stevo208 Posted June 12, 2014 Share Posted June 12, 2014 Too many cooks. I'm excited but I don't want a mess. Let's see what she comes up with anyway! Link to comment Share on other sites More sharing options...
Flip The Switch Posted June 12, 2014 Share Posted June 12, 2014 It will be the same. 11-12 track album + bonus tracks. Link to comment Share on other sites More sharing options...
vocalism Posted June 12, 2014 Share Posted June 12, 2014 Yeah, way too many collaborators for my taste. I don't understand what she has against sitting down with ONE or maybe two producer/songwriters and making a cohesive, intimate album (and I consider Erotica and COADF intimate, so I don't mean M and a guitar). I would also love a 10 or 11-track album with maybe one bonus track for iTunes and international. No 15-track deluxe with filler. Link to comment Share on other sites More sharing options...
VogueMusic Posted June 12, 2014 Share Posted June 12, 2014 Double albums are always a bit tricky really, who sits down and listens to one that often? Plenty of people who love music, love albums that are a 'listening experience', have patience, and don't need to be immediately gratified in a couple minutes like these kids today. Link to comment Share on other sites More sharing options...
Guest Posted June 12, 2014 Share Posted June 12, 2014 thanks Link to comment Share on other sites More sharing options...
nimos Posted June 12, 2014 Share Posted June 12, 2014 I would also love a 10 or 11-track album with maybe one bonus track for iTunes and international. No 15-track deluxe with filler. Definitely. I only want the very best songs, in a cohesive running order. Link to comment Share on other sites More sharing options...
ryan Posted June 12, 2014 Share Posted June 12, 2014 I want as much as possible Link to comment Share on other sites More sharing options...
acko Posted June 12, 2014 Share Posted June 12, 2014 I want a double album... I want a Menopausal Sign 'o' the Times Link to comment Share on other sites More sharing options...
erotica blu Posted June 12, 2014 Share Posted June 12, 2014 Yeah, way too many collaborators for my taste. I don't understand what she has against sitting down with ONE or maybe two producer/songwriters and making a cohesive, intimate album (and I consider Erotica and COADF intimate, so I don't mean M and a guitar). I would also love a 10 or 11-track album with maybe one bonus track for iTunes and international. No 15-track deluxe with filler.This. She might be out of ideas. Hence working with several collaborators to see what sticks. Link to comment Share on other sites More sharing options...
Guest whatatramp Posted June 12, 2014 Share Posted June 12, 2014 I found this from The Guardian - "I wanted her to do these animal impressions," he says. "I had a whole list of them." But he changed his mind about working with her: "I'm not interested in doing it just to make millions, like a lot of other people. If I did it, that's all interviewers would have talked about for the rest of my career." He found Madonna's interest in him almost vampiric. "Her whole career's been like, 'Oh, they're the trendy person of the moment, I'll work with them to make me younger.' Same old vampire shite. FUCK YOU APHEX TWIN! Link to comment Share on other sites More sharing options...
Glindathegood Posted June 12, 2014 Share Posted June 12, 2014 Yeah, way too many collaborators for my taste. I don't understand what she has against sitting down with ONE or maybe two producer/songwriters and making a cohesive, intimate album (and I consider Erotica and COADF intimate, so I don't mean M and a guitar). I would also love a 10 or 11-track album with maybe one bonus track for iTunes and international. No 15-track deluxe with filler. That would be great in theory but a lot of these dj/EDM people like Avicii and Diplo don't have the time to sit down for extended periods of time and write songs with one artist. They have a heavy schedule previously booked of dj gigs all around the world that they are committed to. That's how they make money through their dj gigs not through writing tracks for artists. Link to comment Share on other sites More sharing options...
ryan Posted June 12, 2014 Share Posted June 12, 2014 This. She might be out of ideas. Hence working with several collaborators to see what sticks. Ouch Link to comment Share on other sites More sharing options...
Roland Barthes Posted June 12, 2014 Share Posted June 12, 2014 She wrote many songs with different writers/producers for Ray of Light ( Susannah Melvoin, Rick Knowles, Babyface, Orbit, Patrick Leonard, Marius de Vries) until she had the vision of what she wanted her album to sound like. Natacha Kills, Mozella and even Avicii may only get a writing credit in the end or co-producing credit. She did that before. Check out Music credits too...Mirwais, Orbit, Sigsworth, Talvin Sigh, Mark Spike Stent, Damian le Gassick...Even on Confessions : Mirwais, Price, Joe Henry, Bloodshy & Avant, Bagge & Astrom... The only recent album she did with one writer-producer is American Life and even on this one there's a Stuart Price track , one with Monte Pittman and one with Guy Sigsworth. So relax, that's her usual method of working right here. She exchanges ideas lyrically and then look for the sound she wants the record to sound like. There's a good chance Disclosure will end with the final co-producing job since they come last and she seems completly head over heels with them. Pharrell may only be giving her some advices on the tracks and direction just like Rick Rubin did on Ray of Light. Link to comment Share on other sites More sharing options...
Kim Posted June 12, 2014 Share Posted June 12, 2014 She wrote many songs with different writers/producers for Ray of Light ( Susannah Melvoin, Rick Knowles, Babyface, Orbit, Patrick Leonard, Marius de Vries) until she had the vision of what she wanted her album to sound like. Natacha Kills, Mozella and even Avicii may only get a writing credit in the end or co-producing credit. She did that before. Check out Music credits too...Mirwais, Orbit, Sigsworth, Talvin Sigh, Mark Spike Stent, Damian le Gassick...Even on Confessions : Mirwais, Price, Joe Henry, Bloodshy & Avant, Bagge & Astrom... The only recent album she did with one writer-producer is American Life and even on this one there's a Stuart Price track , one with Monte Pittman and one with Guy Sigsworth. So relax, that's her usual method of working right here. She exchanges ideas lyrically and then look for the sound she wants the record to sound like. There's a good chance Disclosure will end with the final co-producing job since they come last and she seems completly head over heels with them. Pharrell may only be giving her some advices on the tracks and direction just like Rick Rubin did on Ray of Light. Preach. I was about to give the ROL example. Link to comment Share on other sites More sharing options...
_Gark Posted June 12, 2014 Share Posted June 12, 2014 She wrote many songs with different writers/producers for Ray of Light ( Susannah Melvoin, Rick Knowles, Babyface, Orbit, Patrick Leonard, Marius de Vries) until she had the vision of what she wanted her album to sound like. Natacha Kills, Mozella and even Avicii may only get a writing credit in the end or co-producing credit. She did that before. Check out Music credits too...Mirwais, Orbit, Sigsworth, Talvin Sigh, Mark Spike Stent, Damian le Gassick...Even on Confessions : Mirwais, Price, Joe Henry, Bloodshy & Avant, Bagge & Astrom... The only recent album she did with one writer-producer is American Life and even on this one there's a Stuart Price track , one with Monte Pittman and one with Guy Sigsworth. So relax, that's her usual method of working right here. She exchanges ideas lyrically and then look for the sound she wants the record to sound like. There's a good chance Disclosure will end with the final co-producing job since they come last and she seems completly head over heels with them. Pharrell may only be giving her some advices on the tracks and direction just like Rick Rubin did on Ray of Light. He did?! Link to comment Share on other sites More sharing options...
Roland Barthes Posted June 12, 2014 Share Posted June 12, 2014 He did?! Yep, he recommended her Pat Mc Carthy for sound engineering. Remember she knows him from his Beastie Boys days during the Virgin tour. Link to comment Share on other sites More sharing options...
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