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Michael.

Elitists
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Posts posted by Michael.

  1. Just now, Ai Papi Si. said:

    Uh, I hope not. That would be really stupid. She's already got it in a nightclub, I think that's all the reference the video needs. 

    No, that’s what I kind of mean. I think people will automatically link it to Pulse because of the disco sound and drag queens but I don’t think her intention is to be that specific about one incident.  

  2. After listening to the album myself I can accept at least some of the criticism from the worst reviews but the overall bad ratings I don't agree with. Yeah some of the lyrics are a bit questionable but Music had "I like to boogie woogie" and that's a fucking track. So to hang your hat on "lyrics" as your reason to give it a bad review, when everything *works* is just unacceptable. This album is god tier Madonna - LAP, Erotica, ROL, COADF now MX.

  3. First impressions - the album kicks ass. It definitely feels like a classic Madonna album. ie. something only she could produce/release. Still need a few more listens to really appreciate the songs but on only one listen this is how I rate:

    Medellín (with Maluma) - 9

    Dark Ballet - 10

    God Control - 10

    Future (ft. Quavo) - 8

    Batuka - 8

    Killers Who Are Partying - 8

    Crave (ft. Swae Lee) - 10

    Crazy - 8

    Come Alive - 7

    Extreme Occident - 8

    Faz Gostoso (ft. Anitta) - 10

    Bitch I’m Loca (ft. Maluma) - 10

    I Don’t Search I Find - 9

    Looking for Mercy - 10

    I Rise - 7

    Bold were the ones I wanted to listen to again first.

    Faz Gostoso and Bitch, I’m Loca are 🔥🔥🔥

     

  4. 1 hour ago, DanM said:

    I don't like the male voice 😞 it feels more like a feat. Madonna song.

    Yeah I agree. I think he's a bit too prominent and dominates the song overall that she comes across as a feat rather than the main performer. It's not a bad track but the weakest for me so far. Her parts and the music itself are great but I can see why it was a bonus track.

    7/10

  5. Out of the 3 bonus tracks this one is my favorite!

    At first I was a bit taken aback because I did listen to the demo quite a lot and I actually really like it. After a couple listens though I think the official version is an improvement and definitely a lot more "layered". I love the flute and the kicked up bass. It does sound like the same vocals though which I think she could've have re-recorded or adjusted slightly on some parts. (A bit too high pitched but that's only a minor criticism.)

    10/10 for me. Would've happily had this on the album proper.

     

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