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luizotaviobarros

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Posts posted by luizotaviobarros

  1. I think M14 will probably outsell RH. 

    1. She might win back some of the older fans who dismissed MDNA and RH as trend-chasing. 

    2. No leaks so far. 

    3. A point we often overlook: RH, especially BIM, might have raked in thousands of new fans - or at least people who might want to check out the new stuff. 

    As for Madonna “never having another smash”, who knows. With M, you never say never. 

  2. 1 hour ago, caba1 said:

    i remember i read some rebel heart review in 2014 and i said "bullshit. this is fake" Part of it said "diplo songs are childish and avicii's songs are not very radiofriendly" or something like that and he described every single song with its respective titles. And it ended being a real review :nervous:  watch out because insiders like that exists in her team.

    so i don't know what can be real or fake anymore. I hope not because we know Mirwais like to talk about political stuff (that's what M and he said) and what she said about the concept of M14 last year so i can imagine her going on that direction. That sexual song sounds so her.

    on the other hand i doubt of people claiming they heard 14 tracks when the album is not ready yet. How can they know if there going to be 14 tracks?

    The one thing though is that when you look at the track list, the album title doesn’t seem to make much sense. If she’s going down a more spiritual path, risky places and smartgun kind of stick out, don’t they?

  3. 5 hours ago, Vinny said:

    An album that doesn't stink of label/Guy interference filled with mediocre songs that are very obviously desperate to be a top 40 hit, let her write and produce as much as she wants, left to her own devices and only one - three co-writers and producers for the entire project.

    Four singles, spaced at a 2 - 3 months intervals with good, creative visions behind them and awesome club remixes to extend her Club Dance Songs record OR a concept film like Lemonade and Dirty Sexy Computer.

    An actual push by Interscope, I'm talking media and advertisement, I want to see huge motherfucking billboards on Madison Square Garden advertising her new album.

    Guy does his job and books her in relevant TV shows (Ellen, Good Morning America, James Corden, Jimmy Kimmel, Graham Norton - where she's interviewed and performs), also booking her on a ton of magazine covers from The Advocate to Vogue to Rolling Stone - instead of continuing to distance herself from her back catalogue, they take advantage of the fact the biggest solo entertainer alive is still kicking it, turning 60, putting out new stuff and even *gasp, shock* recognizing her past stuff to get more casual fan/old fan that doesn't much care for the stuff she's been putting out lately interest.

    Guy and Interscope partner her up with actual relevant social media platforms, do another live Instagram Q&A, have her new album up front on Spotify and Apple Music/iTunes, make new featured playlists that celebrate her past but also plug her new stuff hard, finish the job they've started of getting her YouTube right, have a special, intimate surprise performance streamed live on YouTube days/a day before the album drops, stop pretending TIDAL is gonna happen.

    Pump up the tour. Tease it, get the fans involved for real (as in, have fans suggest songs and then Guy can actually sit down with Madonna and explain to her why fans want to hear Cherish, Get Together, Don't Tell Me, Frozen, Crazy for You, etc. again and why it's just good business to include at least two or three of the least obvious singles - but equally huge hits - that she hasn't already done to death in the past decade on the setlist).

    Don't hire Arianne Phillips.

    Call up Gaultier.

    Call up Stuart Price.

    Hire a live band and actual have them play instruments. Like, onstageLive.

    Don't you dare not hire Marvin, Chaz, Kupono and Aya and Bambi to dance, but also go after new blood.

    Go beyond the overplayed markets, in fact, suggestions of a tour itinerary after the jump:

      Hide contents

    September 01, 2018 - London, England - The O2 Arena

    September 02, 2018 - London, England - The O2 Arena

    September 04, 2018 - Paris, France - AccorsHotel Arena

    September 05, 2018 - Paris, France - AccorsHotel Arena

    September 08, 2018 - Amsterdam, Netherlands - Ziggo Dome

    September 09, 2018 - Amsterdam, Netherlands - Ziggo Dome

    September 12, 2018 - Bremen, Germany - ÖVB Arena

    September 14, 2018 - Hamburg, Germany - Barclaycard Arena

    September 16, 2018 - Leipzig, Germany - Red Bull Arena

    September 19, 2018 - Naples, Italy - Stadio San Paolo

    September 21, 2018 - Genova, Italy - Stadio Luigi Ferraris

    September 23, 2018 - Bologna, Italy - Stadio Renato dall’Ara

    September 26, 2018 - Zagreb, Croatia - Stadion Maksimir

    September 30, 2018 - Helsinki, Finland - Olympiastadion Helsinki

    October 03, 2018 - Oslo, Norway - Ullevaal Stadion

    October 06, 2018 - Stockholm, Sweden - Ericsson Globe

    October 07, 2018 - Stockholm, Sweden - Ericsson Globe

    October 10, 2018 - Copenhagen, Denmark - Royal Arena

    October 13, 2018 - Reykjavík, Iceland - Laugardalsvöllur

    October 18, 2018 - Belfast, Northern Ireland - Windsor Park

    October 21, 2018 - Madrid, Spain - WiZink Center

    October 22, 2018 - Madrid, Spain - WiZink Center

    October 24, 2018 - Lisbon, Portugal - Estádio da Luz

     

    October 30, 2018 - Cape Town, South Africa - Cape Town Stadium

    November 03, 2018 - Johannesburg, South Africa - FNB Stadium

     

    November 10, 2018 - New York City, United States - Madison Square Garden

    November 11, 2018 - New York City, United States - Madison Square Garden

    November 13, 2018 - Brooklyn, United States - Barclays Center

    November 15, 2018 - East Rutherford, United States - Izod Center

    November 17, 2018 - Atlantic City, United States - Boardwalk Hall

    November 20, 2018 - Boston, United States - TD Garden

    November 22, 2018 - Montréal, Canada - Bell Centre

    November 24, 2018 - Ottawa, Canada - Canadian Tire Centre

    November 25, 2018 - Ottawa, Canada - Canadian Tire Centre

    November 28, 2018 - Milwaukee, United States - BMO Harris Bradley Center

    November 30, 2018 - Chicago, United States - United Center

    December 02, 2018 - Indianapolis, United States - Bankers Life Fieldhouse

    December 04, 2018 - Detroit, United States - Little Caesars Arena

    December 06, 2018 - Cleveland, United States - Quicken Loans Arena

    December 08, 2018 - Columbus, United States - Value City Arena

    December 11, 2018 - Baltimore, United States - Royal Farms Arena

    December 13, 2018 - Washington, D.C., United States - Verizon Center

    December 15, 2018 - Orlando, United States - Amway Center

    December 18, 2018 - Miami, United States - American Airlines Arena

    January 04, 2019 - St. Louis, United States - Scottrade Center

    January 06, 2019 - Kansas City, United States - Sprint Center

    January 08, 2019 - Dallas, United States - American Airlines Center

    January 10, 2019 - Austin, United States - Frank Erwin Center

    January 12, 2019 - Las Vegas, United States - T-Mobile Arena

    January 16, 2019 - Calgary, Canada - McMahon Stadium

    January 19, 2019 - Winnipeg, Canada - Investors Group Field

    January 22, 2019 - Oakland, United States - Oracle Arena

    January 24, 2019 - Fresno, United States - Save Mart Center

    January 26, 2019 - Los Angeles, United States - Staples Center

    January 27, 2019 - Los Angeles, United States - Staples Center

     

    February 02, 2019 - Mexico City, Mexico - Palacio de Deportes

    February 03, 2019 - Mexico City, Mexico - Palacio de Deportes

    February 06, 2019 - Guatemala City, Guatemala - Estadio Mateo Flores

    February 08, 2019 - San José, Costa Rica - Estadio Nacional de Costa Rica

    February 10, 2019 - Panama City, Panama - Estadio Rommel Fernandez

    February 13, 2019 - Santo Domingo, Dominican Republic - Estadio Félix Sánchez

     

    February 16, 2019 - Bogotá, Colombia - Estadio Nemesio Camacho 'El Campín'

    February 17, 2019 - Bogotá, Colombia - Estadio Nemesio Camacho 'El Campín'

    February 19, 2019 - Guayaquil, Ecuador - Monumental Isidro Romero Carbo

    February 21, 2019 - Lima, Peru - Estadio Monumental U

    February 23, 2019 - La Plata, Argentina - Estadio Ciudad de la Plata

    February 24, 2019 - La Plata, Argentina - Estadio Ciudad de la Plata

    February 26, 2019 - La Paz, Bolivia - Estadio Hernando Miles

    February 28, 2019 - Asunción, Paraguay - Estadio General Pablo Rojas

    March 02, 2019 - Montevideo, Uruguay - Estadio Centenario

    March 05, 2019 - Santiago, Chile - Estadio Nacional

    March 08, 2019 - Porto Alegre, Brazil - Arena do Grêmio

    March 10, 2019 - Curitiba, Brazil - Arena da Baixada

    March 13, 2019 - Rio de Janeiro, Brazil - Estádio Olímpico Nilton Santos

    March 16, 2019 - São Paulo, Brazil - Allianz Parque

    March 17, 2019 - São Paulo, Brazil - Allianz Parque

    March 20, 2019 - Belo Horizonte, Brazil - Estádio Governador Magalhães Pinto

    March 23, 2019 - Salvador, Brazil - Arena Fonte Nova

    Don't rush her.

    Let her do her thing.

    Unless her thing is Human Nature/Candy Shop/Like a Prayer/Like a Virgin/5 seconds of Vogue in a salsa arrangement again or whatever.

    Let her breathe but guide her.

    Do not let her edit the tour film.

    They should hire you. Very impressive. 🙂

    just one thing: Don’t think she can fill up the Allianz Parque in São Paulo (where I live) for two nights anymore. Most probably one, but not two. The GP’s interest in Madonna is not what it used to be pre MDNA and Give it to me was her last bonafide hit in Brazil. 

  4. 14 hours ago, impr3ssive_instant said:

    The ultimate promo would be a complete and unexpected reinvention.

    This. 

    I’d been hoping that M14 would be a radical departure from the stuff she’s been doing / the image she’s been projecting since Hard Candy, but I suspect it may not be the case - though it’s obviously too soon to tell. 

    Madonna doesn’t have an image problem in Brazil - on the contrary. With good songs, a nod to older fans (whom HC and MDNA alienated) and enough promotion, I think Guy and co. can take her back to pre-MDNA levels of success. RH should’ve been that album, but it was completely ignored by radio - and hence the general public. 

    But I wonder if the problem with US audiences runs deeper than that? I think first of all they need to figure out a way of making the US fall back in love with Madonna - or at least get the older fans back on board again. Otherwise - and I hope I’m wrong - they can promote the album till they’Re blue in the face, but it won’t work. 

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