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Posts posted by jackaboo
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Cant believe the bloody prices.
That said I'm coming to the second show
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OMG YASS GHOSTTOWN LIFTED ME UP AND THEN DESTROYED ME
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Loads of positive comments on Twitter. Yeah there's the odd twat saying something foul but most of the tweets I've read have been really nice. 'Loving madonna' was trending earlier !
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Yeah currently commercials! So exciteddd
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she looks tiny!
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Whoaaaaaaaaa I just received my super deluxe version and WAOM is completely different to what I was led to believe was the final version!! I like it but it really took me by surprise hahaaa
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Madonna: Rebel Heart album review - "Some truly great pop songs" - 4 STARS
Madonna's influence on modern pop culture is something that can never be taken away from her. For over 30 years the Bay City native has pushed the mainstream's envelope, stamped down doors for female artists, and has weaved through musical styles more times than she has turned her nose up at hydrangeas. It's an achievement that very few - if any - will match again, but it leaves Madonna with the dilemma of expectation. What can she do next? The answer, according to new album Rebel Heart, is to have a few attempts all on one disc.
Rebel Heart contains some truly great pop songs that can contend with Madonna's best, but as an overall collection, it feels like the start of three separate projects lumped together. It starts with lead single 'Living For Love'; a thumping, uplifting dance anthem which nods back to the '90s, but confirms her relevancy as part of house music's revival nonetheless.
It sits nicely alongside the glitchy electronics of 'Iconic', where a towering pre-chorus drops into stabs of ice-cold synths for a club-ready dash of trap-pop. But between these two numbers, it's almost like there's a mini sonic evolution of Madonna on this record.
Rebel Heart goes from the brilliant, dancehall groove of 'Unapologetic Bitch' and the scuzzy squiggles of 'Bitch I'm Madonna' - both helmed by Diplo - to more reflective and sombre pop ballads such as 'Ghosttown' and 'Hold Tight'. At this stage in her career, if Madonna doesn't have 'pop chameleon' on her LinkedIn profile (and what a 'resumé' that would be), then Rebel Heart alone is enough to endorse that title.
'Bitch I'm Madonna' hears the Queen of Pop at her most fabulously ridiculous; popping corks, "kissing anybody that's around us" and threatening to "blow up the house", with PC Music's Sophie keeping production ahead of the curve with a hyperpop emboss, and Nicki Minaj strolling in as her partner in crime. It's a track that could possibly grate on first listen, but if you let it, its teeth are waiting to dig in.
'Unapologetic Bitch', on the other hand, takes full advantage of Diplo's knack for a breezy, reggae-pop production. Despite appearing carefree on the surface, Madonna is overcoming a break-up in the only way we'd all expect her to; pause, reflect, forget. "It took a minute, but now I'm feeling strong/ It almost killed me, but I'm moving on," she steely declares, never willing to let a man dent her armour, and rightly so.
Essentially, staying faithful to its title, Madonna's heart is placed firmly at the centre of the album. 'Ghosttown' is prime example that the icon still has that straight-down-the-line pop clout when she wants to do it. It's an affecting serenade to loyalty that will bury deep into the cranium, and one that shows the most potential when it comes to mainstream chart success. 'Hold Tight' nips at its heels with its marching beats and flourishes of pastel electronics. However, what is most encouraging on each track is the space Madonna's voice is given to shine - something we'd like to hear more often.
Where Rebel Heart does stumble, though, is when Madonna is revisits two of her favourite themes: religion and sex. It's most explicitly touched upon in the Kanye West-produced 'Holy Water', where orgasmic gasps form part of the chorus as Madonna demands "Kiss it better, kiss it better/ Don't it taste like holy water?" It's frustrating because the production is sharp and offers some of the most interesting moments on the album, but the overtly sexual lyrics (which includes "Yeezus loves my pussy best") feel like forced shock value. Are they gasps of disgust, or are they gasps of pleasure? Of course, shocking the audience is Madonna's business, but here it feels more crass than clever.
If anything, the most radical moment on Rebel Heart comes in the form of guitar-led ballad 'Joan of Arc'. "I can't be a superhero right now/ Even hearts made out of steel can break down," Madonna admits, continuing to grapple with the pressures of fame and expectation 30 years into her career. It's a reminder that behind the superstar - and when we say that, we mean the superstar - there's a woman who is still very much a sensitive soul despite a hardened public persona. Madonna acknowledging her mortality, for some reason, feels wholly more intriguing than suggestive rhetoric that belongs with her work back in the '90s.
So yes, Madonna's 13th studio outing can feel like a confused bag sonically as she continues to experiment with a host of modern music's finest. But ultimately, when she's wearing her heart on her sleeve, Rebel Heart is some of her most captivating work in years. -
She started virtually on time at Sticky as Sweet Part 2 as we were doing drinks whole Oakenfold was on then rushed in just before IT started .
On the first night she was like an hour and 45 minutes late! The show started just as everyone started booing.
I barely made my last train home.
Thinking of getting a hotel this time lolz
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Wow that catwalk seems to go out quite far!!
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My Top 5 is:
1 - Like A Prayer
2 - Madonna
3 - Confessions on a Dancefloor
4 - Rebel Heart
5 - American Life
So yes - just in my top 5
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it sounds very similar. The main difference is that they cut the first Avicci dance breakdown bit ( but did leave the second one in)Wait I'm so confused. So does it sound the same or different? Lol
At first I thought demo was better but now I actually prefer the final!!
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I love it. Such a fierce tune. I end up singing 'bitch get off my pole' all day and driving my work colleagues mad!
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They still recording?? I used to work as an usher there, was a pain in the ass when shows over run - especially when you gotta train to catch! Worth it for Madge tho
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I'm gonna have to call in sick to work tomorrow - I'm That upset!!
So proud of her for getting on with it afterwards and slaying us with new dance moves
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Shes apparently performing three songs.. did we hear this already?
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Trust no Bitch is slaying my life rn
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Ok I found Take a Day... not sure what I think but I feel like I should be in Hawaii lol
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grrr I really wanna listen to Take a Day
sounds like you either love it or hate it
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A bit late to the party but heres mine:
1 Iconic
2 Living For Love
3 Unapologetic Bitch
4 Bitch I'm Madonna
5 Devil Pray
6 Ghost Town
7 Illuminati
8 Hold Tight
9 Joan of Arc
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My fave song out of the ones I've heard so far. Please please please be a single!!
I just can't believe how amazing this album is shaping up to be !!!
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She has that 'just woken up' voice just like us mere mortals!!!
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I find auto tune baby to be quite hypnotic. It's quite an odd track but I do like it.
Trust no bitch sounds promising!!!
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didn't 4 minutes video leak before release?
Songs leak easily since a lot of people have them prior to the release (the artist and its team, radios, itunes, etc) but the videos now are premiered only on youtube so less people see it and when they were premiered on tv even less people could put their hands on them, I guess
Give it 2 Me video leaked early. I think it was only by a day or two. It just randomly appeared on YouTube.
London - December 1
in ARCHIVE - Madonna
Posted
Anyone know what her time keeping has been like during this tour? Has she been starting on time?