Icykiller
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Posts posted by Icykiller
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It's the drakegate of the 00s.
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10's > 00's > 90's >>>>> 80's
I would say it´s more like: 00s=90s > 80s=10s
But, as said, it is all a matter of taste. Her pre-LAP albums might sound inconsistent, but the jewels you find in them make up for the Bside material.
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Oh! I want the AL one!
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I am still waiting for that superb album she will coproduce with Joe Henry!
Also, there are some past sounds that just died and never got any continuity which I think deserve some more. Secret Garden comes to my mind: something chill, poetic, with a more implicit sensuality rather than explicit. Skin as well, but maybe a more organic, less processed version of it. The folk of I deserve it or Xstatic Process would also be a breath of fresh air.
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Bitch trolled us with that drums video of Hold Tight
She fucking did!! Lol, it got me all excited! Instead we got Candy shop...
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Happens everywhere mano! Remember M complaining about those damn Japanese businessmen and their blackberries at the front row in IGTTYAS? Not every hardcore M fan has 400 dlls spare to spend on a front seat ticket.
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It's her cougar song LOL
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¡La reina en la gran Tenochtitlán!
http://www.eluniversal.com.mx/articulo/espectaculos/musica/2015/09/15/madonna-vuelve-mexico
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I doubt Madonna would judge the album by the end result. She probably remembers more about the production process. That being said, I kind of sensed vack then that the HC sessions were a bit uncomfortable, and she had amazing chemistry with Stuart.
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Is this for real?
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^Oh! La Roma! I used to live there, how I miss it!
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I love this song on my phone while I'm at the gym. I hate it everytime she performs it.
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That's funny: I'm loving it despite the BodyShops. the old hits, and the overall RIT feel to it.
There is something for all I guess. My favorite remains Confessions so far, but vocally, so far, I think this tour is on par with RIT, and there resides it's brilliance IMHO: her vocal performance shines trough.
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I love it when Madonna's live voice matches with what I hear on the album. Have not had this pleasant experience since RIT, as I think AL vocals translated perfectly live. Loving this tour, despite the SEXes and the UBs and BIMs.
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too bad. she could have thrown ICONIC out there with tour vid.
She should just damn do it really. What's there to lose? I don't understand her team's decisions sometimes.
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Periscope pleeez! I couldn't catch yesterday's show
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I'd have to say this is 90% perfect for me.
Pretty much for me as well. I can already see Unapologetic Bitch and Illuminati as being her crowtastic moments of the show, so I could do away with those two and add other RH tracks. The rest, is all good!
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Candy shop is in baby. Hopefully a interlude as I want a proper video for this gem.
That would actually be superb! A Marylin Minter directed video, finally!
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I never thought she was going to go the cosmetic surgery route to be honest, so the Berlinale/Hall of fame look was a shocker. The main problem now is that sometimes she looks flawless, and sometimes terrible. It depends on lighting I guess.
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See which flavor you like and I'll have it for you
Come on into my store I've got candy galore
Don't pretend you're not hungry I've seen it before
I've got Turkish delight baby and so much more
LOL
I'm ok with CS... But she sucks singing it!!! Let's face it, so far the song has not transended well on stage. She neds to find a way to sing it, just as she did with Paradise on CT. I'd rather keep listening to the awesome album version.
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YES!! Hold Tight is on the setlist, I can die happy now... after the tour of course!
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the iconic vid snippets remind me of this:
I thought of this as well!
The cult/love of celebrity, the worship of icons. A very interesting idea, and fitting of her reflections on her career in Rebel Heart.
Is American Life M's first real Flop Album?
in ARCHIVE - Madonna
Posted
I think Madonna sometimes gets too caught up with a particular image, and runs through with it as the whole look of the album, without stopping to think about the whole sound. AL really suffered with that. The album was, deep, personal, there was fear and anxiety there. But she insisted on the war theme, and a very direct, in-your-face one, rather than going less explicit. The public gets divisive when she goes too explicit. Sometimes it pays off, sometimes it doesn't. Here it didn't.
I think the same happened with RH but in a different way. Her idea of rebeliousness was/is, sometimes, borderline teenager (too by-the-numbers "rebel"). And at others, it's brilliant.