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Supreme Elitists
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Posts posted by Mat.Guy

  1. 2 hours ago, eroticerotic said:

    I hope those that have shown disapproval or disdain Towards those who heard the official tracks a few days prior to a world wide release dont listen to any leaked demos from previous eras. I believe she would hate that instead.

    I have never listened to a leaked song on my life, so yeah.

  2. I just have to say how emotional it makes me when I listen to Madonna singing in perfect Portuguese (sometimes from Portugal, sometimes from Brazil and sometimes from Cape Verde).

    Never in a million years I thought my favorite artist (and the biggest artist who ever lived) would make art with my mother language. I just want to cry, especially because the songs she sings in Portuguese are pieces of pure art. I have no words to describe my feelings, I think it's a mix of lucidity and craziness. 

    It's something it will be forever in my heart and I'm so fucking grateful for it!

    Thank you, Madonna!

    Thank YOU!


  3. 1 hour ago, Herfaceremains said:

    I think it’s important to remember that traditionally music critics have been straight male, rock-oriented, unprogressive, and anti-pop. I don’t see much of an evolution in this, other than in the way we’ve see nerds transform into hipsters because they adhere to the uniform society has prescribed and they went to the gym thanks to the tech industry’s economic clout and subsequent cultural takeover! The very notion of genre-shifting gives these people hives, and so Madonna is mostly not seen as an artist, but as a pillaging, cultural-appropriating, mediocrely talented entertainer who has simply skated over the zeitgeist as if by sheer force of narcissistic determination. These, I believe, are the assumptions of the writers of each 3/5, and some of the 4/5 reviews we have seen.

    There has nearly always been a resistance to the notion that Madonna is creative and original. Instead, the only explanation for her success has to come from her deft manipulation and deceit. It’s the very essence of the patriarchy and its pernicious misogyny, and while the popular genres are no longer rock and soul, critics seem to approach Madonna as if she were still defined by another era when that was the case. 

    My main point regarding critics and why I personally find them all essentially disappointing is that, as journalists, you’d expect them to seek a unique perspective on their subject. However, nearly every review is written as if based off of some version of a Cliff Notes bio born outside of context and the broader scope of investigation. This leads to a very monotonous, seemingly lazy approach to understanding the music, and most certainly to understanding Madonna herself; it’s as if the writer and reader require a revisionist history lesson in order to even begin to grasp who Madonna is and what she has done, the most irritating common thread in the collective narrative being that Madonna was once an iffy trendsetter by design, but has been assaulting the world with an uneven and mediocre output of trend-chasing albums since she was whipped into submission post-American Life. Ironically, you’d get the feeling that some of her fans agree with this narrative, thus reinforcing my theory that there are a good deal of masochists among us to have chosen to endure something they don’t actually appreciate for more than a decade! It’s as if Madonna has a requirement to be purely confessional, or limited to the naïveté of the anthemic disco-stomper. If her music and lyrics don’t address this need more obviously she has failed: she didn’t become Joni Mitchell, so how dare she pick up a guitar and write words that aren’t tantalizing, veiled confessionals; she didn’t grow grey, and become the wistful, nonchalant vagabond, writing enigmatic academic poetry like Patti Smith, and so how dare she manifest as a real sentient human being on a real human journey towards awakening and enlightenment. Oh! And we mustn’t forget that she is the only human being alive to wish to preserve her youthfulness. She should just stop investing in herself altogether beyond her past, acceptable accomplishments, and she should especially unplug from all technology because, well, she’s been old for over ten years and must stop challenging herself and the general public through this outrageous desire to invent, to innovate, to inspire and to be inspired. Otherwise, no matter how interesting it seems, it is “BIZARRE”.

    Is it bizarre? Sure, it’s a narrative that deserves to be explored to a degree, but if you repeat something enough, it becomes the truth. “Madonna must fit into the quirky box now if she wants us to qualify this output”! It’s both disheartening and hysterical all at once! 

    I have read very little of value that deserves to become the truth in these reviews. I can make up my own mind about what is good and bad, and Madame X is quintessentially Madonna at her best. Whether or not that is good enough for someone else doesn’t interest me much at all unless they are able to tell me why with knowledge, passion and intelligence, which is what a music critic is paid to do after all! I’m still waiting. 



    1 hour ago, acko said:

    I would like to add the following to that:

    A lot of  the media are thrown by the general perception of her in our culture. It makes them second guess and/or downplay any original or positive thought they may have about her. I'm telling you this is exactly why she is very relevant. The fact that a woman evokes sucha a powerful response it makes people discredit their own thoughts. She should b taught in sociology classes, not media or communication.

    Absolutely! :thumbsup:

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