Confessit II Posted April 17 Posted April 17 7 minutes ago, Anne said: New banner on Apple music https://music.apple.com/nz/artist/madonna/20044 She looks stunning! It’s the only image of her I’m not crazy about from the new photos so far. The close up of her face looks like alien AI to me. Her lips look really strange and her chin is like a triangle point. I think it looks nothing like her. Sorry! But nice to have a modern update !
jackaboo Posted April 17 Posted April 17 i don’t see a photo banner - I see a new video of her dancing!!!
systemvalues Posted April 17 Posted April 17 21 minutes ago, jackaboo said: i don’t see a photo banner - I see a new video of her dancing!!! Yes and she looks good.
peppermint Posted April 17 Posted April 17 42 minutes ago, Shaun said: This is absolutely false. To me, this is already better than about half of the songs on COADF. No lies detected here!!
dollhouse Posted April 17 Posted April 17 1 hour ago, Dany Targaryen said: Thank you for sharing. Has strong Future Lovers vibe. However, if this were on the original COADF album, it would definitely be the weakest song. I hope she has better songs than this. Not for me. It would be better half of COADF.
dollhouse Posted April 17 Posted April 17 48 minutes ago, Confessit said: It’s the only image of her I’m not crazy about from the new photos so far. The close up of her face looks like alien AI to me. Her lips look really strange and her chin is like a triangle point. I think it looks nothing like her. Sorry! But nice to have a modern update ! Track 17 has preview up,video her with a veil.
Confessit II Posted April 17 Posted April 17 2 minutes ago, dollhouse said: Track 17 has preview up,video her with a veil. I thought there were 16 songs ?
strictmachine Posted April 17 Posted April 17 Just now, Confessit said: I thought there were 16 songs ? There are only 16 songs
dollhouse Posted April 17 Posted April 17 10 minutes ago, Confessit said: I thought there were 16 songs ? its not a song, its track 17 as a video
Beastialg Posted April 17 Posted April 17 It seems Billboard contacted Warner and they confirmed "The first single is yet to come" It's very obvious they released this as promo/buzz for radio, djs and the fans. Many people wanted a Madonna solo song and here they have it. Also it's clear it's the opening song of the album and works perfectly as a "teaser". The first single will be Sabrina's collab. We'll heart it first most likely tonight.
danorbit Posted April 17 Posted April 17 26 minutes ago, dollhouse said: Track 17 has preview up,video her with a veil. The new banner Anne was mentioning is this video: https://www.instagram.com/iriptheslit/reel/DXPmvn5EWFA/
Confessit II Posted April 17 Posted April 17 1 minute ago, danorbit said: The new banner Anne was mentioning is this video: https://www.instagram.com/iriptheslit/reel/DXPmvn5EWFA/ That video is gorgeous. They are dropping little bits of the campaign everywhere. Opening track on Pride Radio, mini video clip on Apple Music, all the variants across multiple retailers…… ……they are building up the profile of CONFESSIONS II I’ll give them that!
GOD Posted April 17 Posted April 17 3 minutes ago, Confessit said: That video is gorgeous. They are dropping little bits of the campaign everywhere. Opening track on Pride Radio, mini video clip on Apple Music, all the variants across multiple retailers…… ……they are building up the profile of CONFESSIONS II I’ll give them that! you think this is from a music video or a photoshoot ?
Confessit II Posted April 17 Posted April 17 6 minutes ago, GOD said: you think this is from a music video or a photoshoot ? I hope a music video shoot she looks absolutely gorgeous in all that pink!! Reminds me of when she wore the pink outfit in London to that kids store in December last year!
GOD Posted April 17 Posted April 17 3 minutes ago, Confessit said: I hope a music video shoot she looks absolutely gorgeous in all that pink!! Reminds me of when she wore the pink outfit in London to that kids store in December last year! i think i missed that? what kid store? So far everything is on point, with this era.
topdog Posted April 17 Posted April 17 Just want to say, you lot are so good at keeping us up-to-date. That’s why I’m on here. X
jackaboo Posted April 17 Posted April 17 A big tease from drowned Madonna on the Sabrina collab Madonna’s collaboration with Sabrina Carpenter, as we interpret it, is about autonomy. It is directed at everyone who has ever felt entitled to define her: the press, the trolls, the keyboard warriors who treat artists as public property. And the industry itself — the machine that has always tried to reduce creative worth to cold metrics, to streaming numbers and chart positions, as if those numbers could ever contain what she is or what she has built. That reductiveness, that urge to contain and define, runs through the whole song — in the press, in the algorithm, in the industry’s obsession with metrics. But the song also feels like it might be looking directly at us too. At the fans. At the people who love her most and have followed every step. Could it be that even our devotion — the expectations, the projections, the vision we have built of her over decades — is part of what she is singing about? It is a question worth sitting with. In Kabbalistic thought, judgment and perception are intimately linked — what you see is shaped entirely by what you are capable of seeing. The eye doesn’t receive reality; it filters it. And the song seems to understand this. It is aimed at the deeper human tendency to reduce what we cannot fully comprehend — to make something vast and living fit inside the frame of what we already know. She has always existed beyond that frame. The song is a reminder that she always will. Running beneath all of this is the unmistakable presence of memory — long, unfiltered, and unflinching. Of secrets, of silences, of things this industry would rather keep buried. She has witnessed it all and survived it all, and she is done pretending otherwise. What drives all of it, though, she makes absolutely clear. Everything — every battle, every reinvention, every misunderstanding — was done for love. We will be hearing this very soon.
Confessit II Posted April 17 Posted April 17 1 minute ago, jackaboo said: A big tease from drowned Madonna on the Sabrina collab Madonna’s collaboration with Sabrina Carpenter, as we interpret it, is about autonomy. It is directed at everyone who has ever felt entitled to define her: the press, the trolls, the keyboard warriors who treat artists as public property. And the industry itself — the machine that has always tried to reduce creative worth to cold metrics, to streaming numbers and chart positions, as if those numbers could ever contain what she is or what she has built. That reductiveness, that urge to contain and define, runs through the whole song — in the press, in the algorithm, in the industry’s obsession with metrics. But the song also feels like it might be looking directly at us too. At the fans. At the people who love her most and have followed every step. Could it be that even our devotion — the expectations, the projections, the vision we have built of her over decades — is part of what she is singing about? It is a question worth sitting with. In Kabbalistic thought, judgment and perception are intimately linked — what you see is shaped entirely by what you are capable of seeing. The eye doesn’t receive reality; it filters it. And the song seems to understand this. It is aimed at the deeper human tendency to reduce what we cannot fully comprehend — to make something vast and living fit inside the frame of what we already know. She has always existed beyond that frame. The song is a reminder that she always will. Running beneath all of this is the unmistakable presence of memory — long, unfiltered, and unflinching. Of secrets, of silences, of things this industry would rather keep buried. She has witnessed it all and survived it all, and she is done pretending otherwise. What drives all of it, though, she makes absolutely clear. Everything — every battle, every reinvention, every misunderstanding — was done for love. We will be hearing this very soon. Wow. What a description! Sounds like a combination of all her Fuck You songs in one.
MLVC82 Posted April 17 Posted April 17 5 minutes ago, jackaboo said: A big tease from drowned Madonna on the Sabrina collab Madonna’s collaboration with Sabrina Carpenter, as we interpret it, is about autonomy. It is directed at everyone who has ever felt entitled to define her: the press, the trolls, the keyboard warriors who treat artists as public property. And the industry itself — the machine that has always tried to reduce creative worth to cold metrics, to streaming numbers and chart positions, as if those numbers could ever contain what she is or what she has built. That reductiveness, that urge to contain and define, runs through the whole song — in the press, in the algorithm, in the industry’s obsession with metrics. But the song also feels like it might be looking directly at us too. At the fans. At the people who love her most and have followed every step. Could it be that even our devotion — the expectations, the projections, the vision we have built of her over decades — is part of what she is singing about? It is a question worth sitting with. In Kabbalistic thought, judgment and perception are intimately linked — what you see is shaped entirely by what you are capable of seeing. The eye doesn’t receive reality; it filters it. And the song seems to understand this. It is aimed at the deeper human tendency to reduce what we cannot fully comprehend — to make something vast and living fit inside the frame of what we already know. She has always existed beyond that frame. The song is a reminder that she always will. Running beneath all of this is the unmistakable presence of memory — long, unfiltered, and unflinching. Of secrets, of silences, of things this industry would rather keep buried. She has witnessed it all and survived it all, and she is done pretending otherwise. What drives all of it, though, she makes absolutely clear. Everything — every battle, every reinvention, every misunderstanding — was done for love. We will be hearing this very soon. Love it…but is it a dance/house track?
redhot Posted April 17 Posted April 17 3 minutes ago, jackaboo said: A big tease from drowned Madonna on the Sabrina collab Madonna’s collaboration with Sabrina Carpenter, as we interpret it, is about autonomy. It is directed at everyone who has ever felt entitled to define her: the press, the trolls, the keyboard warriors who treat artists as public property. And the industry itself — the machine that has always tried to reduce creative worth to cold metrics, to streaming numbers and chart positions, as if those numbers could ever contain what she is or what she has built. That reductiveness, that urge to contain and define, runs through the whole song — in the press, in the algorithm, in the industry’s obsession with metrics. But the song also feels like it might be looking directly at us too. At the fans. At the people who love her most and have followed every step. Could it be that even our devotion — the expectations, the projections, the vision we have built of her over decades — is part of what she is singing about? It is a question worth sitting with. In Kabbalistic thought, judgment and perception are intimately linked — what you see is shaped entirely by what you are capable of seeing. The eye doesn’t receive reality; it filters it. And the song seems to understand this. It is aimed at the deeper human tendency to reduce what we cannot fully comprehend — to make something vast and living fit inside the frame of what we already know. She has always existed beyond that frame. The song is a reminder that she always will. Running beneath all of this is the unmistakable presence of memory — long, unfiltered, and unflinching. Of secrets, of silences, of things this industry would rather keep buried. She has witnessed it all and survived it all, and she is done pretending otherwise. What drives all of it, though, she makes absolutely clear. Everything — every battle, every reinvention, every misunderstanding — was done for love. We will be hearing this very soon. Colour me intrigued Can't wait to watch the performance
strictmachine Posted April 17 Posted April 17 8 minutes ago, MLVC82 said: Love it…but is it a dance/house track? lol right?! This is all we really need to know
MLVC82 Posted April 17 Posted April 17 1 minute ago, strictmachine said: lol right?! This is all we really need to know I can’t imagine Sabrina dancing to house but we will see
strictmachine Posted April 17 Posted April 17 Just now, MLVC82 said: I can’t imagine Sabrina dancing to house but we will see She don’t need to dance, she can just stand there and look cute
robster Posted April 17 Posted April 17 The ACTUAL full 5:03 HIGH QUALITY TRACK: https://on.soundcloud.com/K4ysaImH8NOYNYehC2 I am ascending, truly! My GAWD I love this woman!
Confessit II Posted April 17 Posted April 17 5 minutes ago, MLVC82 said: I can’t imagine Sabrina dancing to house but we will see She is the hired in hair piece for the track for the Gen-Z so she doesn’t need to do anything other than have her hair done.
ULIZOS Posted April 17 Posted April 17 3 hours ago, Dany Targaryen said: Thank you for sharing. Has strong Future Lovers vibe. However, if this were on the original COADF album, it would definitely be the weakest song. I hope she has better songs than this. Thank you for sharing. However, I think your opinion is shit. You are wrong and I suggest you see an otolaryngologist ASAP because you clearly have some kind of ear infection.
systemvalues Posted April 17 Posted April 17 29 minutes ago, jackaboo said: A big tease from drowned Madonna on the Sabrina collab Madonna’s collaboration with Sabrina Carpenter, as we interpret it, is about autonomy. It is directed at everyone who has ever felt entitled to define her: the press, the trolls, the keyboard warriors who treat artists as public property. And the industry itself — the machine that has always tried to reduce creative worth to cold metrics, to streaming numbers and chart positions, as if those numbers could ever contain what she is or what she has built. That reductiveness, that urge to contain and define, runs through the whole song — in the press, in the algorithm, in the industry’s obsession with metrics. But the song also feels like it might be looking directly at us too. At the fans. At the people who love her most and have followed every step. Could it be that even our devotion — the expectations, the projections, the vision we have built of her over decades — is part of what she is singing about? It is a question worth sitting with. In Kabbalistic thought, judgment and perception are intimately linked — what you see is shaped entirely by what you are capable of seeing. The eye doesn’t receive reality; it filters it. And the song seems to understand this. It is aimed at the deeper human tendency to reduce what we cannot fully comprehend — to make something vast and living fit inside the frame of what we already know. She has always existed beyond that frame. The song is a reminder that she always will. Running beneath all of this is the unmistakable presence of memory — long, unfiltered, and unflinching. Of secrets, of silences, of things this industry would rather keep buried. She has witnessed it all and survived it all, and she is done pretending otherwise. What drives all of it, though, she makes absolutely clear. Everything — every battle, every reinvention, every misunderstanding — was done for love. We will be hearing this very soon. Wow.
ULIZOS Posted April 17 Posted April 17 27 minutes ago, jackaboo said: A big tease from drowned Madonna on the Sabrina collab Madonna’s collaboration with Sabrina Carpenter, as we interpret it, is about autonomy. It is directed at everyone who has ever felt entitled to define her: the press, the trolls, the keyboard warriors who treat artists as public property. And the industry itself — the machine that has always tried to reduce creative worth to cold metrics, to streaming numbers and chart positions, as if those numbers could ever contain what she is or what she has built. That reductiveness, that urge to contain and define, runs through the whole song — in the press, in the algorithm, in the industry’s obsession with metrics. But the song also feels like it might be looking directly at us too. At the fans. At the people who love her most and have followed every step. Could it be that even our devotion — the expectations, the projections, the vision we have built of her over decades — is part of what she is singing about? It is a question worth sitting with. In Kabbalistic thought, judgment and perception are intimately linked — what you see is shaped entirely by what you are capable of seeing. The eye doesn’t receive reality; it filters it. And the song seems to understand this. It is aimed at the deeper human tendency to reduce what we cannot fully comprehend — to make something vast and living fit inside the frame of what we already know. She has always existed beyond that frame. The song is a reminder that she always will. Running beneath all of this is the unmistakable presence of memory — long, unfiltered, and unflinching. Of secrets, of silences, of things this industry would rather keep buried. She has witnessed it all and survived it all, and she is done pretending otherwise. What drives all of it, though, she makes absolutely clear. Everything — every battle, every reinvention, every misunderstanding — was done for love. We will be hearing this very soon. WTF is this nonsense? "But the song also feels like it might be looking directly at us too. At the fans" WHY do we keep listening to these people? They've been wrong about everything. This is like Miss Cleo nonsense. Just say a bunch of random crap, but make it sound intellectual.
systemvalues Posted April 17 Posted April 17 27 minutes ago, Confessit said: Wow. What a description! Sounds like a combination of all her Fuck You songs in one. Right? I can't wait to hear it and see the performance.
MLVC82 Posted April 17 Posted April 17 5 minutes ago, ULIZOS said: WTF is this nonsense? "But the song also feels like it might be looking directly at us too. At the fans" WHY do we keep listening to these people? They've been wrong about everything. This is like Miss Cleo nonsense. Just say a bunch of random crap, but make it sound intellectual. They actually haven’t
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