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Madonna in the Dolce & Gabbana campaign: the images


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An 18-year long friendship wasn’t enough to dissipate the fear that Stefano Gabbana and Domenico Dolce nurtured toward Madonna when it came to doing something “more business-y” together.

“We were always afraid it would ruin our relationship,” contended Gabbana.

Not anymore. As part of a flurry of activity between the designers and pop icon, including the filming of the “Celebration” video inside Metropol, the designers’ Milanese runway venue, Madonna agreed to appear in the Dolce & Gabbana spring campaign.

Steven Klein snapped the eight black-and-white, horizontal pictures in a former lay convent in Uptown Manhattan. They will appear in groups of two or three to better display the reportage effect. A budget for the campaign, which breaks in February fashion titles, wasn’t available, though Gabbana described the investment as a “serious one.”

The shoot mirrors the mood of the designers’ sexy spring show, brimming with heritage Dolce & Gabbana staples and romantic accoutrements. “The collection is very Italian, very Sicilian,” said Gabbana. “It’s a return to our roots with a modern angle, so we asked Madonna to interpret it in a different and human way. We believe that people are ready for a new message.”

That message has Madonna playing a housewife, albeit a sensual one, carrying out her daily chores. Madonna appears holding a broomstick, washing dishes in a bubble-filled sink, eating spaghetti with her fingers and chopping vegetables, surrounded by lace curtains and tablecloths, dishcloths and old wooden furniture.

For the campaign, Madonna chose a number of looks, including crocheted tops and dresses, floral skirts and leopard spots, which she mismatched to her taste.

During a brainstorming session before the shoot (Gabbana marveled at how well versed Madonna is on old Italian movies), they all agreed on Luchino Visconti’s film “Bellissima” as an inspiration. Released in 1951, the neorealist film stars Anna Magnani and Walter Chiari.

In one shot, Madonna even appears as a latter-day Magnani, gazing off-camera with tear-smoldered cheeks. “She really cried, she really dipped into the part and took it very seriously,” gushed Gabbana.

Source: WWD

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By the way, Perez didnt report on the ads. He called her granny at one point (a week ago or something). I hope he doesnt get down on her because it was a great pr.

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Guest Pud Whacker

By the way, Perez didnt report on the ads. He called her granny at one point (a week ago or something). I hope he doesnt get down on her because it was a great pr.

good. let him focus on joanne.

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I REALLY LOVE them. Absolutely brilliant -everything the LV campaign was NOT. My favourite one is the pasta shot, then the washing up -really shows how tiny and delicate her frame is, then the boob shot last, just because she has botox mouth going on in that one -where the mouth just seems to hang. The other's she's doing things with it. But it's a small criticism; it's still a lovely shot.

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By the way, Perez didnt report on the ads. He called her granny at one point (a week ago or something). I hope he doesnt get down on her because it was a great pr.

Perez doesn't report on fashion items on his regular site anymore. He has a fashion site now as well, believe it or not. :electropop:

Anyway, it was reported there: http://cocoperez.com...r-dolce-gabbana

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Guest Coked Up Baby Boy

I want to vomit, on his face. Fat piece of shit.

the most disgusting human being living today, utterly vile. fat cunt.

:rotfl:

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