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Posts
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Posts posted by toujours
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40 minutes ago, stevo208 said:
So much for Madame X bringing light to dark places. Bringing a shadow of doom to joyous occasions is more the case
LMAO. If the setlist is true, then MX is the ultimate troll.
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21 minutes ago, Mensch said:
Yes +2 oldies
Wtf? Hate both IR and F. (As album cuts they fit the MX narrative really well.) I can understand why she wants to do IR. But she has to accept that "future" has no commercial future.
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26 minutes ago, Andra said:
Ok, let me put it this way then, Bitch I'm Loca is the B'day Song of MX and that is 'arguably' the truth. Happier now? And i'm completely ok with it, since the album is extremely good and there are very few songs which i don't like.
It's all good.
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3 hours ago, santiago said:
" Crave is an attempt of We Belong Together."
.......
LOL. Using Mimeh's 15-year old song as reference point.
Obviously, this mercenary needs to go back to school. More units in creative writing and critical analysis, please.
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I get your point. I'm old and yet I like BIL. And he/she needs to be called out. But don't project your bruised feelings on the album or a specific MX single just to argue a point. And be careful with loosely using the phrase " that's the truth" in the context of your argument especially if it's not an established fact. Yes, we express our views and opinions in this forum but you and i are not arbiters of truth here.
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2 hours ago, Andra said:
What a load of ageist crap lol. Bitch I'm loca is the B'day Song of Madame X and that is the truth. I'm in my 20's by the way.
There's no crappy "BS" in the album. To suggest otherwise is pure bs. Pun intended.
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8 minutes ago, the-queen said:
It hurts to see beautiful Madonna on the ground in blood. But I know that’s the point, to visually show the sadness and madness of it all.
Such a death scene will trigger a lot of horrific feelings and thoughts. I'd prefer that the disco carnage is part of a nightmare that MX is experiencing in the video. Then she wakes up in the end. Or something hopeful for a conclusion.
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very good interview! M looks and sounds less guarded here. rylan has this disarming yet somehow dangerous aura. ^_; and yes, maluma is so handsome.
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1. Medellin
2. Bitch I'm Loca and Soltera
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8 minutes ago, hungup said:
Just saw the interview..she doesn't seem to think of a video. The journalist asked how much she would need for it and she said 300 thousand USD would be fine. Let's start a crowdfunding . Anitta also recorded a video message for her.
What was her reaction to Anitta's message? Curious to know coz she hasn't mentioned their collaboration in the on-going media campaign.
Also, she should listen to the clamor of her Portuguese-speaking fans for a singles release.
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18 hours ago, Marcelox said:
bravo! the string arrangement for LFM and the other MX tracks are gorgeous and epic.
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Whatta booty-shaker. One of the few really fun songs in the album. It complements "faz gastoso."
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2 minutes ago, Crystal Coffin said:
But the drums, they are cool!
Haha. Her full stomach agrees.
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5 hours ago, Alain Delon said:
And Back That Up To The Beat!
Not a fan of this reworked piece, future, and I rise. But overall, starrah's contribution to MX is stellar.
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18 minutes ago, Crystal Coffin said:
She probably wrote this song while eating
She has a steel for stomach then. Imagine writing a paean or dirge for idols and contemporaries while enjoying her macrobiotic meal. -_~
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8 minutes ago, the-queen said:
The organ in the background gives me chills, elevating this into a religious type of experience, with the outro being cathartic.
True. I always look forward to the outro.
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49 minutes ago, Icykiller said:
Okay... I am letting all sink in. I was out of the city, had a busy past 3 or 4 days, and had to unwind before getting my head into M's new work. So I finally got to listen to MX. Or, more like I am just going through it. First impressions:
The run from Future to Extreme Occident (maybe include Faz Gostoso here too) is where MX's heart is. It's full of intricate sounds, with an amazing mix of rhythms. Percussions are MX's structure, it's all about that beat, it just drags the listener throughout a journey. No, MX is by no means coherent in the ROL or AL or COAD sense, this is different. She's experimenting with many things here, and there's no polishing. The voice distortion thing is not annoying, it's done right I think.
This her most dance (or rhythmic is perhaps a better word choice?) record in a while. No, there's no damn disco stomper or any typical Euro or Anglo club hit (and I am extremely grateful for that, to be honest). This is dark, sweaty, underground latin club, sensual dancing. There's a sense of abandonment in some tracks, of letting go and mesh into the rhythm (I don't search I find, for example, or Come Alive). It is also amazing how this same sense of losing sense into the music connects with messages of change and hope (Batuka).
The gist of MX, as I see/listen it, is of loss and finding, of holding on to sanity despite feeling hopeless. Extreme Occident, Come Alive, and I don't search I find (together with Future) are the standouts for me. But also loving Batuka, Crazy, Killers..., and also Medellin and Crave. Dark Ballet feels more like a mood piece, a statement and not a song. Not into I Rise and God Control.
I feel like MX will be one of my favorite albums of hers. It's amazing that, after all this years, I can still be pleasantly surprised by her musical output. She has an amazing album in her hands. I hope she releases at least two more singles/videos out of MX, the album deserves exposure.
Amen to your review! I like that you pointed out the visceral tracks of the album, which for me plays to the emotive strengths of Madonna as both vocalist and storyteller. If I may add, tracks 2 - 6 are the more celebral ones: social commentaries and conversation starters from an artist who refuses to mute her powerful voice.
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"funani" is the most commercial madonna - mirwais MX combo. it's this era's "love profusion."
ranged , however, against the other overtly experimental, quirky collaborations the track sticks out like a sore thumb. nonetheless a thumb that one can happily suck on for days.
i'm fine with the name-checking, especially the inclusion of the two departed divas. although the most obvious omission of all will not sit well with his fans.
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15 hours ago, rocknrolla said:
I'm so glad they worked together!! I was expecting a disaster when she tweeted about the writing camps last summer.
Future, Crave, Crazy, I Rise, Come Alive
love her work in: looking for mercy, crave, crazy, come alive
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For now:
1. CRAVE
2. COME ALIVE
3. LOOKING FOR MERCY
4. CRAZY
5. MEDELLIN
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17 hours ago, FreeMySoul said:
cried each listen to those lyrics the emotion in her voice so powerful and touching
shed copious tears the first time i heard it. there's so much honesty and vulnerability in the song.
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15 hours ago, the-queen said:
Yeah, this one speaks to my soul. Magical and positive in a way that inspires. There’s a reassuring calmness to it.
that's the word: reassuring calmness. the song's positiveness just shines through.
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15 hours ago, Herfaceremains said:
don’t know if this was posted anywhere, but it’s a decent interview.
Madonna was quite candid with and warm to Dan in this interview. Fabulous interaction between these two. And his top 5 list of M songs was unpredictable. "You'll See" and "Another Suitcase in Another Hall" being two of the most impactful tracks in his life.
Thanks for posting.
Madonna @ NYC pride - CONFIRMED !
in ARCHIVE - The MADAME X Forum
Posted
You're not alone. I abhor that single. Maybe she thinks Pride is the place and occasion for the song's redemption.