Ray Finkle

1. Cha cha cha 2. The MET Gala Song 3. Disco Banger with Drag Queens (Kinda) 4. Another Collab 5. It's done. Good night. 6. Wiiiiiiiild is the world 7. Swae Who? 8. Loca Loca Loca 9. Talk Fast 10. I'm Madame X 11. Faz Gostar? 12. Cooking some fuego 13. Picasso House 14. Parental Monitoring 15. I Love? I Live? Damn she has bad handwriting...

I remember her saying "If we can AFFORD this video!" in some interview... Maybe she's found the money after all

Stop staying IDSIF is a bonus track

What about the lyrics ? When are they going to be put on the website ? (Will they ?)

I think "I'm here to start you dayyyy" sound very Madonna... But am I the only one who feels that the children choir doesn't sound like children ? I feel the same in "Come Alive"...

I totally agree. Today I noticed how thoughtful the tracklist is. In Medellín, M is candid and wants to discover the world. From Dark Ballet to Killers, she observes the state of the world and sends a message of awareness. In the C section, she analyzes her personal life / love life and empowers herself. The mood starts to change. It's confirmed in Extreme Occident : she looks into herself and starts to think positive again. Then in Faz Gostoso, Bitch I'm Loca and I Don't Search I Find, she can be happy again and enjoy life. She goes back to introspection in Looki

Is it good ?

Wasn't it nominated in 61st Grammys ?

Does someone know what the creole lyrics mean ?

18. Funana 17. Bitch I'm Loca 16. Crazy 15. Ciao Bella 14. I Rise 13. Future 12. Come Alive 11. Faz Gostoso 10. Back That Up to the Beat 9. Dark Ballet 8. Medellín 7. Extreme Occident 6. Killers Who Are Partying 5. Looking for Mercy 4. Crave 3. I Don't Search I Find 2. Batuka 1. God Control

God Control Batuka Crave I Don't Search I Find Looking for Mercy

MDNA

Does she have songs by herself ?

Yes it is, Madonna and Mirwais love to play with her voice

I never thought of that My vote goes to Faz Gostoso. BIL is very disposable in my opinion, the "Mr Safe/Mrs Crazy" part could have been put at the end of "Medellin".