Gus

Elitists
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About Gus

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  • Gender
    Male
  • Location
    Buenos Aires
  • Favorite Madonna Song
    Open Your Heart

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  1. And MTV Brazil in late 1990 MTV Latin America October1993
  2. Yeah, thought maybe she's confusing DSS with WTG? Doubtful since they're so different... She finished shooting WTG in march 1987...
  3. These are her Eurochart peaks from Holiday to Love Profusion (courtesy of @HolidayGuy) 1. Holiday- 3/12/84- #13/27 weeks2. Lucky Star- 3/19/84- #29/7 weeks3. Like a Virgin- 11/26/84- #1(5 weeks)/21 weeks4. Material Girl- 3/4/85- #5/14 weeks5. Crazy For You- 6/10/85- #6/22 weeks6. Angel- 6/24/85- #14/9 weeks7. Into the Groove- 7/29/85- #1/32 weeks8. Gambler- 10/14/85- #8/18 weeks9. Dress You Up- 10/28/85- #6/22 weeks10. Borderline- 2/1/86- #21/9 weeks11. Live to Tell- 5/3/86- #1(8 weeks?)/22 weeks12. Papa Don�t Preach- 7/5/86- #1(8 weeks?)/24 weeks13. True Blue- 10/11/86- #1/19 weeks14. Open Your Heart- 12/20/86- #4/20 weeks15. La Isla Bonita- #1(4 weeks)/32 weeks16. Who�s That Girl- 7/18/87- #2(3 weeks)/29 weeks17. Causing a Commotion- 9/26/87- #5/12 weeks18. The Look of Love- #17/15 weeks19. Like a Prayer- 3/25/89- #1(12 weeks)/29 weeks20. Express Yourself- 6/10/89- #1(3 weeks)/19 weeks21. Cherish- 9/9/89- #5/16 weeks22. Dear Jessie- 12/23/89- #9/9 weeks23. Vogue- 4/14/90- #1(8 weeks)/25 weeks24. Hanky Panky- 7/28/90- #4/10 weeks25. Justify My Love- 12/15/90- #3/18 weeks26. Rescue Me- 3/23/91- #3/12 weeks27. This Used to Be My Playground- 725/92- #2( 2 weeks)/21 weeks28. Erotica- 10/24/92- #1(3 weeks)/11 weeks29. Deeper and Deeper- 12/19/92- #9/11 weeks30. Bad Girl- 3/13/93- #26/10 weeks31. Fever- 4/10/93- #26/7 weeks32. Rain- 8/7/93- #15/14 weeks33. I�ll Remember- 4/9/94- #15/14* weeks 34. Secret: #435. Take a Bow: #1536. Bedtime Story: #2137. Human Nature: #1638. You'll See: #839. Oh Father: #6240. One More Chance: #5041. You Must Love Me: #2942. Don't Cry For Me Aregentina: #1(2 weeks)43. Another Suitcase in Another Hall: #6144. Frozen: #2(11 weeks)45. Ray of Light: #946. Drowned World/Substitute For Love; #2247. The Power of Good-Bye: #248. Nothing Really Matters: #1649. Beautiful Stranger: #250. American Pie: #1(7 weeks)51. Music: #1(6 weeks)52. Don't Tell Me: #253. What it Feels Like For a Girl; #854. Die Another Day: #355. American Life: #2(3 weeks)56. Hollywood: #357. Me Against the Music: #1(3 weeks)58. Remixed & Revisited (EP): #9459. Nothing Fails: #4260. Love Profusion: #41 http://z3.invisionfree.com/Madonna_Dot_Refugees/ar/t6035.htm
  4. This version might not be as grand and perfect as the GS performance, but to me it represents the song like no other version ever did, brings back so many lovely childhood memories...
  5. "The cast of Glee holds the record for most Hot 100 appearances with 207, while Lil Wayne holds the record for male artists with 135, although Drake – with 133 – should pass Wayne by this time next week thanks to More Life."
  6. Well, she almost made 'Chicago' and then 'The music of the heart'(originally titled '50violins', she was replaced by Meryl Streep). Madonna plays ‘Chicago’ JUNE 2, 1997 | 12:00AM PT Apparently not yet tired of bringing Broadway musical roles to the bigscreen, “Evita” star Madonna has signed to star alongside Goldie Hawn in Miramax Films’ screen adaptation of “Chicago.” Madonna will play Velma Kelly, the tough jailmate of Hawn’s character Roxie Hart. The casting had been anticipated (Daily Variety, April 18). Miramax acquired screen rights to “Chicago” several years ago, before the revival of the Bob Fosse, John Kander and Fred Ebb musical became a Broadway smash (winning six Tonys Sunday). The film, which was scripted by Larry Gelbart, will be produced by Broadway veteran Marty Richards, whose credits include “The Life,” which took home a pair of Tonys. Miramax is one of several studios Richards has been talking to about a screen version of “The Life.” “It goes without saying that Roxie and Velma are two of the greatest roles ever written for musical actresses, and with Goldie, Madonna and the great Marty Richards on board, this promises to be one heck of a ride,” Miramax co-chairman Harvey Weinstein said. A director for “Chicago” will be announced shortly, Miramax said. Meryl Poster, executive vice president of production, will be the Miramax exec in charge of the production. http://variety.com/1997/film/news/madonna-plays-chicago-1116680119/ Vexed Madonna exits ‘Violins’ JULY 20, 1998 | 12:00AM PT Material girl walks due to creative schism with Craven NEW YORK — After spending three months learning to play the violin by the woman she was to portray in “50 Violins,” Madonna abruptly exited the Miramax project on Friday. She was to begin work in early August starring in the film based on the life of Roberta Tzavaris, the East Harlem violin teacher who overcame a tough divorce and taught the instrument to inner-city kids, some of whom became Carnegie Hall-level fiddlers. That start date seems certain to be scratched even as names of possible replacement violinists like Sandra Bullock and Meg Ryan surfaced. Miramax denied it had made any overtures to other actresses. A rumor coursed through the Gotham production community Friday that the Material Girl was dropped from the project following a read-through and because of an accumulation of demands she had made that irked director Wes Craven. Those sour notes were met with a chorus of denials from Miramax and Craven. ‘Mutual decision’ In a statement, Miramax co-chairman Harvey Weinstein called the parting of the ways “a mutual decision.” Craven echoed that sentiment: “Despite rumors to the contrary, this has resulted from genuine mutual creative differences. So although we’ve decided not to go forward on this project, our decision is accompanied by great respect for one another. I have nothing but goodwill and admiration towards Madonna. She is a brilliant artist and her talent and achievements speak for themselves,” Craven said. Other sources close to the fray backed up that contention, saying that Madonna’s exit was due to irreconcilable differences over how Craven was going to depict the story of Tzavaris. They said Madonna had gotten to know her teacher and her family quite well and couldn’t stomach how different the movie was from her actual story. More projects in the works There is little reason to sound the violins in sympathy for Madonna’s lost employment opportunity. Though it’s the second consecutive film she’s ankled (she recently bailed from the indie drama “The Red Door,” which will star Diane Lane), Madonna’s sudden availability has Lakeshore Entertainment aggressively trying to move up a start date on “The Next Best Thing,” the film in which she’s slated to star with Rupert Everett. Madonna also is producing the screen adaptation of the Jennifer Bell novel “Going Down,” which Christina Booth has scripted and will direct, and which is creating buzz as a hot project with both distributors and young actresses vying to play the NYU student who becomes a prostitute to pay tuition. In January, Madonna’s set to topline with Goldie Hawn the screen version of the musical “Chicago,” which Nicholas Hytner will direct. The film based on one of Broadway’s hottest tickets has much brighter commercial prospects than “50 Violins,” and it is unlikely that Weinstein would risk a relationship with Madonna built since “Truth or Dare” by allowing her to be summarily dismissed. http://variety.com/1998/film/news/vexed-madonna-exits-violins-1117478594/ Those where good projects...too bad she ended up doing TNBT...
  7. Yes! The raw vocals without autotune sound so much better in my opinion
  8. Not sure if it's ok to post links anymore, "You Thrill Me" from Infinity posted this demo made with vocal stems, it's pretty amazing http://www.sendspace.com/file/xpw0a1